4/11/2023 0 Comments Clark hall scripps college![]() The mission is slightly broader, though still centered on the many Scripps art programs as it has been since 1935. In 2021, the organization was renamed Scripps Fine Arts Foundation and incorporated as its own educational non-profit entity. ![]() Today the Foundation continues to promote the arts by providing funds for student scholarships and internships opportunities for its members to interact with artists, professors and students programs that are open to the public and student community and special fund-raising events for its members. A buffet was served in Margaret Fowler Memorial Garden on the Scripps campus following the home tour and treasure sale. Also, a new edition of the Fine Arts Foundation Cookbook was available for purchase. A treasure sale was held in Clark Museum of the Humanities Building and original watercolors by Jean Ames and Phil Dike were offered. ![]() Homes on the tour were those belonging to Jean Ames, Herbert and Marcia Hafif, Sam and Frieda Maloof, Harrison and Marguerite McIntosh, Phil and Janet Myhre, and Marion Stewart. In May, 1976 the Foundation celebrated its 50th year with the Golden Jubilee Home and Studio Tour. The Foundation also assisted in the construction of the mosaics in Ivy Court, the student-designed mosaic murals on the walls of Seal Pond in Seal Court (the central courtyard of the Lang Studio), and the fresco in Margaret Fowler Memorial Garden. With this final contribution the Foundation was able to fulfill one of the original purposes for which it was established. This same donor, no longer anonymous, contributed the remaining money needed to complete construction on the Florence Rand Lang Art Studio. Following a meeting in Pasadena in 1936, showing work of the Scripps staff, an anonymous donor contributed $20,000, and the first unit of the studio building was completed. These donations were used to construct three rooms of the studio building. The number of memberships (for the minimum level of $10 a year to graduated supporter levels) increased consistently to a total of well over three hundred by 1963.įrom special gifts collected by members of the Foundation for the first year and a half, a fund of over $31,000 was raised. Adult classes were also offered by Manker, Sheets, Duncan Gleason, Albert Stewart and Beatrice Richardson. With the membership fees, the Foundation bought a kiln to fire pottery-that students created under the instruction of William Manker-and to build a concrete floor under the kiln. At the end of the first year, there were thirty-nine members. ![]() One of the main duties of the Foundation was to arrange monthly exhibits and lectures with artists, in order to attract members. ![]()
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